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Hints:
He was a comfort to Robert Ball Hughes for 17 years
He was white
He had a unique hair style
He was named after a Dickens character who had a pet Raven named Grip
For the answer see: http://robertballhughes.googlepages.com/silhouettes
Wednesday, January 7, 2009
Wednesday, December 17, 2008
Statue of Hamilton Revisited
Thanks to a recent comment from a good Friend of Robert Ball Hughes in England, I was able clarify why the Statue of Alexander Hamilton was wearing a toga in the woodblock images from 1835 and not in the plaster models. I knew why from my research but had forgotten to include the reason on the webpage.
The Statute of Hamilton, the first marble statue in America, was destroyed in the Great Fire of 1835 in New York. Since this was before the development of photography, the only images that we have are woodblock prints that were published in newspapers and magazines at the time.
Three plaster models of the statue survive in museums today but show Hamilton wearing contemporary clothing and not a toga. According to Wayne Craven, author of “Sculpture in America,” Ball Hughes added a Roman toga to his original conception to conceal a flaw that was revealed during the carving of the Carrara marble. That's one mystery solved, now for the next:
While revising the webpage account of the Statue of Hamilton, I investigated a copy of a contract for multiple casts that Fred Brown sent to me. From my research, I believe it may be the contract to cast additional copies of the plaster model for the famous Statue of Hamilton for the New York Merchants Exchange. You'll have to read the details on the Alexander Hamilton Statue webpage.
Final Thought:
I'm learning that every detail can be a valuable clue in research. As I reread the material I've accumulated so far, I keep finding new clues. Names, dates, and places that at first are not significant take on new importance when combined with information already known. In researching the document mentioned above, I discovered that Mrs. Ball Hughes enjoyed participating in parties given by the former Mayor of New York, Philip Hone. The Ball Hughes' apparently liked being part of New York's high society in the 1830's.
The Statute of Hamilton, the first marble statue in America, was destroyed in the Great Fire of 1835 in New York. Since this was before the development of photography, the only images that we have are woodblock prints that were published in newspapers and magazines at the time.
Three plaster models of the statue survive in museums today but show Hamilton wearing contemporary clothing and not a toga. According to Wayne Craven, author of “Sculpture in America,” Ball Hughes added a Roman toga to his original conception to conceal a flaw that was revealed during the carving of the Carrara marble. That's one mystery solved, now for the next:
While revising the webpage account of the Statue of Hamilton, I investigated a copy of a contract for multiple casts that Fred Brown sent to me. From my research, I believe it may be the contract to cast additional copies of the plaster model for the famous Statue of Hamilton for the New York Merchants Exchange. You'll have to read the details on the Alexander Hamilton Statue webpage.
Final Thought:
I'm learning that every detail can be a valuable clue in research. As I reread the material I've accumulated so far, I keep finding new clues. Names, dates, and places that at first are not significant take on new importance when combined with information already known. In researching the document mentioned above, I discovered that Mrs. Ball Hughes enjoyed participating in parties given by the former Mayor of New York, Philip Hone. The Ball Hughes' apparently liked being part of New York's high society in the 1830's.
Wednesday, November 5, 2008
Ball Hughes & White Mountain Art
I've added the new Willey House and White Mountain Art webpages to the site and revised the New Hampshire Studio webpage. These are my first pages to include video to enhance your experience. Start with the New Hampshire Studio webpage and take the tour.
This was the most work and the most fun I've had working on any topic for www.robertballhughes.com. From a single notation about the Willey House on the back of a Ball Hughes family photo of his New Hampshire Studio, I discovered that he was one of the first artists-in-residence at the first Artist's Colony in America in North Conway, NH around 1860.
Ball Hughes rustic studio was in the woods behind the Willey House in Crawford Notch in the White Mountains near North Conway, NH. The Willey House was the birthplace of White Mountain Art after the Willey Tragedy in 1826.
I think I enjoyed this research so much because I love the outdoors and the stories of the Willey House are captivating and the scenery of Crawford Notch is breathtaking. I hope you enjoy the trip to Crawford Notch!
This was the most work and the most fun I've had working on any topic for www.robertballhughes.com. From a single notation about the Willey House on the back of a Ball Hughes family photo of his New Hampshire Studio, I discovered that he was one of the first artists-in-residence at the first Artist's Colony in America in North Conway, NH around 1860.
Ball Hughes rustic studio was in the woods behind the Willey House in Crawford Notch in the White Mountains near North Conway, NH. The Willey House was the birthplace of White Mountain Art after the Willey Tragedy in 1826.
I think I enjoyed this research so much because I love the outdoors and the stories of the Willey House are captivating and the scenery of Crawford Notch is breathtaking. I hope you enjoy the trip to Crawford Notch!
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